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Electric Daisy: Q & A with Joana Burd

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Ahead of the performance of Electric Daisy on Thursday 15 June, we asked one of the artists, Joana Burd, some questions about the project. She explained how the project was created, and what to expect on the night. If you'd like to join us for one of the two performances, click here to go to the ticket booking page.

 

Can you tell us about the unusual flower spilanthes oleracea?

It's a Brazilian flower that has the potential to vibrate our mouths and our bodies. 

What can audiences expect at the show?

Participation takes place in an immersive 3D audio experience that combines data sonification and sound spatialization, revealing the connections between biohybrid bodies, human senses, and living machines. 

Can you explain how the sounds and visuals are created?

Visuals were created with microscope imaging inside a lab and artificial intelligence software's. Sound was composed with data sonification of the plant itself. 

 

With many collaborators working on the project, how did your different skills contribute?

This is a multidisciplinary project between an anthropologist, an artist and a musician.

What do you want the audience to take away from the experience?

Questions about how the future will be with living machines. 

 

Photo credits: Ram Shergill and Dr Tchern Lenn.

Playlist | Listening Parties #1 Music for Hibernation

EDITION 1 MUSIC OF HIBERNATION

Edition #1: Music for Hibernation

23/01 at the Common Ground

 

What What What – Caoimhin O Raghallaigh

Rag Yaman – Stephen Day

Aguas de Marco – Antonio Carlos Jobim, Elis Regina

Le onde – Ludovico Einaudi

Al Mediodia – Erik Truffaz, Murcof

The Sweetest days of September – The Stockholm Quartet

Two Thousand and Seventeen – Four Tet

Until the Morning – Thievery Corporation

Kenaston – Chilly Gonzales

Cuatro Piezas del Ballet Cascanueces op.71: Danza del Hada de Azucar (Tchaikovsky) – Ira Levin

Miss You – Trentemoller

Blackwaterside – Sandy Denny

Learig – Sophie Janna

Torsa – Lau

Get Direct – Joan as Police Woman

Happiness is Easy – Talk Talk

Lonely (feat. Lorine Chia) – Jamila Woods, Lorine Chia

We Could Have a Meadow – Rosie Caldecott

Kumiutamu – Tadao Sawai *

La Mer – Samarabalouf *

Yeti – Theo *

*Not available on Spotify but played on the night

OCM Audience Survey

WE WANT YOUR FEEDBACK!

Have you attended an OCM event in the last twelve months? We'd like to hear from you! Responses to our audience survey help us report back to our funders and make future gigs better.

Click here to go to the survey (open until the end of March).

 

 

Tessa Cavana: My experiences working for OCM with the Weston Jerwood Scheme

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Tessa Cavanna has been working with OCM since April 2021, closely knitted into the OCM team, creating and producing some really brilliant projects. This is her description of her time with us thus far:

 

At first I didn’t quite know what to expect. Having spent my working life as an artist and musician part-time along side waitressing and hospitality jobs, I had never interviewed for a job like what OCM was offering, and a part of me didn’t even really know that these jobs in the arts existed.

The application process was really accessible. I heard about the opportunity through a friend and music facilitator, who was asked to reach out to people in the music community who might suit the job. I found the application very easy to navigate with the option of either written or filmed answers. The interview was very good, too. As it was Covid times, the Interviews where via zoom, but I felt that both Vic and Jo at OCM did a great job of fitting around my then work schedule for me to be able to attend an interview. I didn’t feel that I wasn’t able to do the job because I hadn’t studied music or worked in an office before, and OCM made me feel very welcome and where very thoughtful in the way I was welcomed into the organisation and given the training I needed to be able to do my job with confidence.

My starting role at OCM was assistant Producer, and I was able to learn to many new and exciting things, as well as realising that I could apply a lot of my own knowledge from other jobs to this new role. I am so grateful for the wonderful team of people at OCM for making me feel so welcome and a valued part of the team. Since being with OCM a year, Jo was able to secure enough funding to keep me on another year, with a new title as Producer and Community Learning. It feels amazing to find a job like this (especially as it’s in music) after so many years of thinking I wouldn’t be able to work in any other industry except hospitality. It’s been amazing to learn how many skills we learn that are transferable and what a difference it makes to feel like a valued part of a co-operative team!

Since starting at OCM I have noticed my productivity has increased and I’ve been able to make time for my own music in a way that I wasn’t able to before. Being so closely linked to music in all aspects of my working day means that I am around music more and so I think about it and I create more, as a result. Since working at OCM I’m proud to say I’ve produced one live show (Digging Crates); assisted on several projects (Handle with care- Elliot Galvin, Christmas Lights Festival-Thomas Page Dances, Playing the curriculum- Max Reinhardt, Dido’s Bar – DASH arts); created and strengthened a few connections with different youth leaders, music facilitators and community figures in Oxford; and had the privilege to learn and receive support from each member of the OCM team.

Since the opportunity from Jerwood by way of OCM came to me, I’ve been recommending it to all my working artist friends! It’s been so liberating and empowering to have found a job like this. Thank you Western Jerwood and OCM for giving me this opportunity!

Playlist I Listening Parties #9 Music of the Screen

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Listening Parties are a space to share the music you’re passionate about. Here's the playlist with the music played at the February 2021 Edition: Music of the Screen.

If, like us, you’ve been watching more films than usual during lockdown, get listening to the music that makes them. We’re partnering with two local film heroes, The Ultimate Picture Palace and Film Oxford, to delve into the treasure trove of music for & from the movies. What film soundtracks have made it into your top playlists? What tracks from films do you wish were better known? Share with us your best film music finds! Our track for starters, chosen by The Ultimate Picture Palace, is “Love” by Mica Levi from the soundtrack to Under The Skin.

News | Oxford Culture Anti-Racism Alliance is seeking a Project Manager Advert

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A network of arts and cultural organisations in Oxford are looking for an experienced part-time project manager to lead on the delivery of a programme of anti-racism action. The position will oversee the delivery of an evolving programme of training, data collation, artist and community consultation, reporting to a voluntary Steering Committee. The role requires a highly motivated and organised individual with the ability to manage multiple priorities working across a range of stakeholders with sensitivity, diplomacy and persuasion. You will be a passionate champion for equality underpinned by a belief in the vital importance of the arts and culture in the life of contemporary society and its efficacy as progressive agent of social change.

 

The position is available on a part-time basis at £30,000 per annum (pro rata for 2 days / week, equating to c.£12,000). 

Given the values and purpose of the role, we especially welcome applications from the African Diaspora, South, East and South East Asian diaspora and heritage, Middle Eastern people and other ethnically diverse members of our community.

 

Please find a recruitment pack here: https://www.oxcultureantiracism.co.uk/

 

The deadline for applications is 15th March 2021 at 5pm Interviews will be held remotely w/c 22nd March 2021

 

Playlist I Listening Parties #8: Alternative Midwinter Tunes

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Listening Parties are a space to share the music you’re passionate about. Here's the playlist with the music played at the December 2020 Edition: Alternative Midwinter Tunes (online).

‘Tis the season for those same old festive classics to be rolled out, when Slade suddenly becomes inescapable on every supermarket foray, met with delight and dismay in equal parts. 

We’re countering this by asking for your favourite alternative seasonal songs – ridiculous remixes, anti-festive anthems, unusual family classics…

Our track for starters is: Let It Snow by Tin Men & The Telephone

 

 

Not on Spotify;